Of The Fine Arts And Literature
The system of note-writing was not suddenly brought to perfection: it only came into favor when the professors most accurately reported an excellent speech which Cato pronounced in the senate. The orators, the philosophers, the dignitaries, and nearly all the rich patricians then took for secretaries note-writers, to whom they allowed handsome pay. It was usual to take from their slaves all who had intellect to acquire a knowledge of that art. The fine arts were unknown at Rome, until their successful commanders brought from Syracuse, Asia, Macedonia and Corinth, the various specimens which those [60]places afforded. So ignorant, indeed, were they of their real worth, that when the victories of Mummius had given him possession of some of the finest productions of Grecian art, he threatened the persons to whom he intrusted the carriage of some antique statues and rare pictures, “that if they lost those, they should give him new ones.” A taste by degrees began to prevail, which they gratified at the expense of every liberal feeling of public justice and private right. The art of printing being unknown, books were sometimes written on parchment, but more generally on a paper made from the leaves of a plant called papyrus, which grew and was prepared in Egypt. This plant was about ten cubits high, and had several coats or skins, one above another, which they separated with a needle. The instrument used for writing was a reed, sharpened and split at the point, like our pens, called calamus. Their ink was sometimes composed of a black liquid emitted by the cuttle fish. The Romans commonly wrote only on one side of the paper, and joined one sheet to the end of another, till they finished what they had to write, and then rolled it on a cylinder or staff, hence called volumen. But memoranda or other unimportant matters, not intended to be preserved, were usually written on tablets spread with wax. This was effected by means of a metal pencil called stylus, pointed at one end to scrape the letters, and flat at the other to smooth the wax when any correction was necessary. Julius Cęsar introduced the custom of folding letters in a flat square form, which were then divided into small pages, in the manner of a modern book. When forwarded for delivery, they were usually perfumed and tied round with a silken thread, the ends of which were sealed with common wax. Letters were not subscribed; but the name of the writer, and that of the person to whom they were addressed, were inserted at the commencement—thus, Julius Cęsar to his friend Antony, health. At the end was written a simple, Farewell! The Romans had many private and public libraries. Adjoining to some of them were museums for the accommodation of a college or society of learned men, who were [61]supported there at the public expense, with a covered walk and seats, where they might dispute. The first public library at Rome, and probably in the world, was erected by Asinius Pollio, in the temple of liberty, on Mount Aventine. This was adorned by the statues of the most celebrated men. |
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